Multi-camera switching
Cameras, capture devices and Continuity Camera. Preview and Program with cut, timed dissolve and fade to black, on keyboard shortcuts.
Private beta · macOS · Apple silicon
Run the whole show from one Mac.
Cameras, remote guests, graphics, captions, isolated recordings and your live stream — switched, mixed and recorded in a single native app. No Windows box, no capture-card rack, no subscription stack.
What it does today
Everything below is built and running. We'll say plainly what isn't — see the roadmap.
Scenes that fit your show
Picture-in-picture, splits, three-up, quad and nested scenes with drag-and-drop sizing, grid snap and safe zones. Colour-code and reorder them like a rundown.
Remote guests
Join a Zoom meeting as a participant and bring each guest in as their own source, with a loudness meter and gain control per guest so you can coach levels live.
Records like an edit suite
Program to ProRes 422 LT/422/HQ, HEVC or H.264 with time-of-day timecode — plus an ISO file per camera, guest and NDI source for the multicam edit.
Graphics and titles
Stills, transparent browser sources (H2R Graphics), lower thirds and a time-of-day clock or timecode burn-in, keyed over Program.
Live captions, on your Mac
Speech-to-text of the program mix, rendered over Program. It runs entirely on the machine — no cloud service, no per-minute fee.
Audience chat on screen
YouTube and Zoom chat in one list. Click a message to put it on air as a lower third; click again to take it off.
Stream and share
RTMP/RTMPS to YouTube or any custom destination, H.264 or HEVC, with the stream key kept in the macOS Keychain.
Control it from anywhere
A built-in web remote for your phone, plus an HTTP API with live state for Bitfocus Companion and Stream Deck — protected by an access code.
Built for how a show actually runs
Every panel moves, resizes and pops out into its own window — put the audio desk on one display, the inputs on another, and a clean confidence monitor with tally, clock and cues in front of your talent.
- Scene grid with live previews and colour categories
- Channel matrix: an 18-channel desk shows only the channels you're using
- Mix-minus and a headphone monitor with PFL on every strip
- Loudness metering to a −16 LUFS streaming target
- Shows save and reopen with your whole setup
Why a Mac app matters
Apple silicon, end to end
Compositing on Metal, recording and streaming on the hardware media engines, ProRes on the dedicated ProRes engines. Your CPU stays free for the show.
Nothing phones home
Captions, compositing and recording all happen on your machine. The only things that leave are the streams and guests you choose.
One app, not a stack
Switcher, recorder, audio desk, captioner, chat overlay and remote control in one window — instead of five tools duct-taped together.
What we're building next
We'd rather tell you what's missing than surprise you on show day. Currently in progress or queued:
Isolated audio per ISO
Today each ISO file carries the program mix as reference audio. Per-mic and per-guest tracks are next.
Recording resilience
Recovery after a crash, power loss or a pulled drive — designed, not yet proven.
Deeper audio
EQ, compressor, gate, delay, pan and true bus routing; more than one physical device at a time.
Virtual camera
Send Program into Zoom, Teams or Meet as a camera, and back to guests as a confidence feed.
More delivery
Multiple simultaneous destinations, SRT in and out, NDI output, reconnect and stream health.
Show automation
Run-of-show cues, triggers and macros, plus a dedicated Companion module.
Join the beta waitlist
We're testing with a small group of producers running hybrid shows. Tell us what you make and we'll be in touch when there's a build for you.